"...he had a way of taking your hand which made it clear he'd have to be the one to let go."From Alice Hoffman's "Local Girls", pg.102."

"When I walk, I walk with you. Where I go, you're with me always."

"I could still feel the ghost of him hovering in the quiet, dark recess of my heart. It was as if he was just waiting for me to be lonely, or to let my guard down, so that he could surface and fill my mind again with thoughts of him."

"It may be that you are settled in another place it may be that you are happy but the one who took your heart wields final power."

"I've got you. I swear to God, I've got you," said Noah. "Stay with me, Echo."I wanted to. I wanted to stay with him, but the shouting and screams and glass breaking in my mind grew louder. "Make it stop."He tightened his grip on my arms. "Fight, Echo! You've got to fucking fight. Come on, baby. You're safe."

"Love, too, has to be learned."

"A broken heart is just the growing pains necessary so that you can love more completely when the real thing comes along."

"The difference between the love of a man and the love of a woman is that a man will always give reasons for loving, but a woman gives no reasons for loving."

"There will be no more British guys. Unless they are members of the royal family, of course."

"Gabe?"The newchild stirred slightly in his sleep. Jonas looked over at him. "There could be love", Jonas whispered."

"People don't need love. What they need is success in one form or another. It can be love but it needn't be."

"I love you, Missy girl. Even if I can't be with you, know that I'm here. So, that's it. More than the stars, Taylor. More than the stars."

"What made you fall in love with a prostitute?”“I didn’t understand it myself at the time. But I’ve thought about it since, and I think it was because, knowing that your body would never be mine alone, I had to concentrate on conquering your soul."

"To love another human in all of her splendor and imperfect perfection , it is a magnificent task...tremendous and foolish and human."

"Contrary to what we may have been taught to think, unnecessary and unchosen suffering wounds us but need not scar us for life. It does mark us. What we allow the mark of our suffering to become is in our own hands."

"Sought we the Scrivani word-work of SurthurLong-lost in ledger all hope forgotten.Yet fast-found for friendship fair the book-bringerHot comes the huntress Fela, flushed with findingBreathless her breast her high blood risingTo ripen the red-cheek rouge-bloom of beauty.“That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him.I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him.Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling."

"You have the power to tear me to pieces, to wound me so deep and true that I'll never recover. What Rissa's death did to the boy I was? You have the ability to do a thousand times worse to the man I've become."

"Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly."

"Your inner strength is your outer foundation"

"You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire. interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction)."

"I had fallen too far. I was in love with Rush Finlay."

"Do you think it’s easy for me? No, I don’t remember you. I don’t remember holding you or talking to you or falling in love with you—but I walk around with a giant hole in my heart all the time. I feel your absence every second of the day. It aches and nothing soothes it. Losing you is bad enough, but I don’t even get the comfort of remembering that I had you once.-Haden"